CISA–Life Flash (Organised display)
There are some bits in other blogs as well. Sorry for my brain being a bit of polyphonic:


Abstract
Life Flash (2023) interprets what one could potentially see, hear and feel in the final moments of life. Integrating sound, poetry and performance, the 45-minute immersive showcase invites the audience to reimagine memories and choices when life flashes before their eyes.
The showcase revolves around the 4-channel sound art, composed from a collection of 100 poems in 26 languages. Recorded mostly with strangers on the streets, these poems shared a consistent theme of redemption – joy and grief, love and death, confinement and acceptance.
The sound art, arranged in diverse timbres, began with polyphonic high pitches before gradually shifting towards extremely low tones. Navigating between the multitude of frequencies, the performers feel and react through improvised body movements and facial expressions.
Spinning and spiralling, Life Flash represents the final intensity of living in this transient space before words, voices and emotions cease to exist together.
Interpretation (11minute each session)
ACT 1 – LEARNING THE UNKNOWN
My father moved through dooms of love – E.E. Cummings
my father moved through dooms of love
through sames of am through haves of give,
singing each morning out of each night
my father moved through depths of height
this motionless forgetful where
turned at his glance to shining here;
that if (so timid air is firm)
under his eyes would stir and squirm
newly as from unburied which
floats the first who, his april touch
drove sleeping selves to swarm their fates
woke dreamers to their ghostly roots
and should some why completely weep
my father’s fingers brought her sleep:
vainly no smallest voice might cry
for he could feel the mountains grow.
Lifting the valleys of the sea
my father moved through griefs of joy;
praising a forehead called the moon
singing desire into begin
joy was his song and joy so pure
a heart of star by him could steer
and pure so now and now so yes
the wrists of twilight would rejoice
keen as midsummer’s keen beyond
conceiving mind of sun will stand,
so strictly (over utmost him
so hugely) stood my father’s dream
his flesh was flesh his blood was blood:
no hungry man but wished him food;
no cripple wouldn’t creep one mile
uphill to only see him smile.
Scorning the Pomp of must and shall
my father moved through dooms of feel;
his anger was as right as rain
his pity was as green as grain
septembering arms of year extend
less humbly wealth to foe and friend
than he to foolish and to wise
offered immeasurable is
proudly and (by octobering flame
beckoned) as earth will downward climb,
so naked for immortal work
his shoulders marched against the dark
his sorrow was as true as bread:
no liar looked him in the head;
if every friend became his foe
he’d laugh and build a world with snow.
My father moved through theys of we,
singing each new leaf out of each tree
(and every child was sure that spring
danced when she heard my father sing)
then let men kill which cannot share,
let blood and flesh be mud and mire,
scheming imagine, passion willed,
freedom a drug that’s bought and sold
giving to steal and cruel kind,
a heart to fear, to doubt a mind,
to differ a disease of same,
conform the pinnacle of am
though dull were all we taste as bright,
bitter all utterly things sweet,
maggoty minus and dumb death
all we inherit, all bequeath
and nothing quite so least as truth
—i say though hate were why men breathe—
because my Father lived his soul
love is the whole and more than all
ACT 2 – LOVE & DEATH
Love’s Testament – Dante Gabriel Rossetti
O thou who at Love’s hour ecstatically
Unto my heart dost evermore present,
Clothed with his fire, thy heart his testament;
Whom I have neared and felt thy breath to be
The inmost incense of his sanctuary;
Who without speech hast owned him, and, intent
Upon his will, thy life with mine hast blent,
And murmured, ‘I am thine, thou’rt one with me!‘
O what from thee the grace, to me the prize,
And what to Love the glory,—when the whole
Of the deep stair thou tread’st to the dim shoal
And weary water of the place of sighs,
And there dost work deliverance, and thine eyes
Draw up my prisoned spirit to thy soul!
ACT 3 – WISH IN THE SKIP
The Skip – James Fenton
I took my life and threw it on the skip,
Reckoning the next-door neighbours wouldn’t mind
If my life hitched a lift to the council tip
With their dry rot and rubble. What you find
With skips is – the whole community joins in.
Old mattresses appear, doors kind of drift
Along with all that won’t fit in the bin
And what the bin-men can’t be fished to shift.
I threw away my life, and there it lay
And grew quite sodden. `What a dreadful shame,’
Clucked some old bag and sucked her teeth: ‘The way
The young these days … no values … me, I blame…’
But I blamed no one. Quality control
Had loused it up, and that was that.
‘Nough said. I couldn’t stick at home. I took a stroll
And passed the skip, and left my life for dead.
Without my life, the beer was just as foul,
The landlord still as filthy as his wife,
The chicken in the basket was an owl,
And no one said: `Ee, Jim-lad, whur’s thee life?’
Well, I got back that night the worse for wear,
But still just capable of single vision ;
Looked in the skip; my life – it wasn’t there!
Some bugger’d nicked it – without my permission.
Okay, so I got angry and began
To shout, and woke the street. Okay. Okay!
And I was sick all down the neighbour’s van.
And I disgraced myself on the par-kay.
And then … you know how if you’ve had a few
You’ll wake at dawn, all healthy, like sea breezes,
Raring to go, and thinking: `Clever you!
You’ve got away with it.’ And then, oh Jesus,
It hits you. Well, that morning, just at six
I woke, got up and looked down at the skip.
There lay my life, still sodden, on the bricks;
There lay my poor old life, arse over tip.
Or was it mine? Still dressed, I went downstairs
And took a long cool look. The truth was dawning.
Someone had just exchanged my life for theirs.
Poor fool, I thought – I should have left a warning.
Some bastard saw my life and thought it nicer
Than what he had. Yet what he’d had seemed fine.
He’d never caught his fingers in the slicer
The way I’d managed in that life of mine.
His life lay glistening in the rain, neglected,
Yet still a decent, an authentic life.
Some people I can think of, I reflected
Would take that thing as soon as you’d say Knife.
It seemed a shame to miss a chance like that.
I brought the life in, dried it by the stove.
It looked so fetching, stretched out on the mat.
I tried it on. It fitted, like a glove.
And now, when some local bat drops off the twig
And new folk take the house, and pull up floors
And knock down walls and hire some kind of big
Container (say, a skip) for their old doors,
I’ll watch it like a hawk, and every day
I’ll make at least – oh – half a dozen trips.
I’ve furnished an existence in that way.
You’d not believe the things you find on skips.
ACT 4 – BURNING ON THE ASHES
Monologue by Jason Tang
Sometimes I feel like this is the beginning of something. But most of the time I feel like this is the end of everything.
“We shall meet in a place where there is no darkness.” Now that I am almost on the other side, I see nothing but darkness.
In the corner of my eyes, I witnessed flashes of light. A constant movement of flickering like fireworks. So dazzlingly bright and so dizzily enticing.
Not just light. Memories. Memories from the beginning. Memories of the days when the future passed by.
Not just memories. Emotion. My desire and my obsession. My resolution and my acceptance.
Not just emotion. Voices. Millions of voices in different frequencies dissolved into fragments, particles and quarks.
Living, this must be what living looks like. The redemption of my body, the poetry of my life.
This is a life within a skip. Life beyond the endless plain. Life of a candle burning before returning to ashes.
I must go on.

Sound (stereo to 8 monos, to 4 stereos)
Firstly I collected 100 single files separately and then I wanted to achieve the version: Polyphonically high pitch voice spinning around quickly to low pitch single voice spinning around very slowly.
The definition of the movements of the spinning would be achieved with GRM space plugins. (I used the GRM filter to give a lot of textures)
The speed of voice needed to be flexed.
I design the first part which the child voice would be more crowded. And they become clearer in the next two parts. Finally it is quite clear but with a slow motion.
I used the vocoder, granular synth and resonator in ableton live to change the voices to noises and ‘ambient music’.



We decide to have a live cellist player, because it sounds a bit overwhelming, which means really easy to fall over. We would like the cello sound to blend all the things together.
https://www.dropbox.com/s/bnzlcfrw8iakinb/life%20flash%204channel.zip?dl=0
four channel download here
Reference


https://phys.org/news/2023-05-life-eyes-death.html
https://www.pnas.org/doi/10.1073/pnas.2216268120
https://www.eurotunnel.com/uk/bbc-life-on-the-inside/
https://www.facebook.com/mengjinghui/?locale=zh_CN
